The Code of the West

This is an excerpt from Broncs and Honkytonks, a forthcoming play in the 2022 season of The Bridge. This dialogue is addressed directly to the audience. 

A. Cowboys got rules, just like other folks.

B. There are just some things you don’t do.

A. That’s right.  For example:

B. You cuss around the women folk.

A..  And when you’re introduced to one, you ti your hat.

B.I’ve seen fights start over not showin’ proper respect.

A  Here’s another: when your dancin’ with a lady, you don’t spit tobacco juice over her shoulder,

  B. Then there’s a mess of rules for the round-up.

A. You don’t ride to the chuck wagon with the wind at your back.

B.  You go around the other side.

A. You don’t go between a cowboy and a herd he’s restraining.

B.  You don’t try to rope an animal that another cowboy is chasing.

A. Don’t ride in front of another cowboy unless his horse is bucking and you’re trying to help him.

B. If you want to get to another side of a ride, don’t cross in front of him.

A. slow, and let his horse pass, then cross.

B.  Feed you horse before yourself.

BREAKING THE CODE

C. What happens if you break the code?

A. A cowboy who breaks the code gets chapped. He gets whipped  with a pair of chaps.

B.  Two cowboys grab his arms and two grab his legs and had him over a bedroll

A. Backside up.B.Then another cowboy takes a pair of chaps and whips his butt with a pair of chaps.

B.  It doesn’t do any permanent damage but it stings like hell.

A.  I’ll give you an example. My friend Clyde had a ranch next to mine. Somehow he met an Englishman, John, who wanted  top work on a ranch. Clyde, being a welcoming sort, gave him a horse to ride and brought him in over to our place for a round-up and branding.

B.  When they got t the pasture where th cows were, each man was given a position. When the boss gives you a position, you stay there.  John didn’t.

A. John was chatty, and he’d ride from one cowboy to another, cutting in front of several.

B. Clyde told him to stop that.

A. Well, once the cattle were corralled and the cook was fixing lunch, the cowboys gathered in a circle with John in the middle. Clyde was acting as judge,   Each cowboy gave testimony as to how John had broken the code of the West by ridding in front of him. John was judged guilty of multiple violations.

B. The cowboys made a rush for him, held him over a bedroll and each cowboy gave John a crack with a pair of chaps.

A. When the chapping was over, Clyde took out his penknife and cut off John’ pig tail.

B. That

A. John said

B. Hurt worse than the chapping.

Pause.

A. By the way, any cowboy that hangs back and doesn’t participate in a chapping, gets chapping.

 

Building the Arts, One Brick at a Time

By Karen Christensen

Karen’s story is the latest in the Free River Press series on ideas for building an Agricultural City.   While Karen’s work is not concerned with rural communities, we in rural America have much to learn from what she and her colleagues accomplished in Aurora, Illinois.   Links to past essays in this series will be found at the close of this article.

For the record, I was the City’s Downtown Development Director from 1999 through 2009, and then Neighborhood Redevelopment Manager from 2009 until I retired in 2012. I currently am a member of the board of directors of the Fox Valley Music Foundation, as well as Aurora Downtown.  I serve on the FoxWalk Overlay District Design Review Committee and the Riverwalk Commission. And, of course, I am Aurora’s Poet Laureate!

Since the end of World War II, many social, cultural, political, and economic changes have swept across the United States, at a pace that is often hard to comprehend, except in hindsight.

Returning soldiers, growing families, sprawling housing, migration patterns, affordable automobiles, a desire to break from the past, inventions that made our lives easier – and more complicated – have all had volumes written about their impacts on the United States.

A city like Aurora, Illinois can provide urban planners and economic developers with a case study in how communities might cope with change, and re-invent themselves in a way that keeps them from being bulldozed into just another mass of American homogeneity.

Aurora was established in 1837. It benefited from the desire of immigrants to move westward, and became home to people of all ethnic groups, races, and religions. Though it has some pockets of wealth and poverty, for the most part Aurora is a solidly middle-class community, built on blue collar values.

During various waves of prosperity when local industries and American railroads flourished, many majestic homes were built on the east and west sides of the Fox River, which bisects the community. Development pushed our boundaries east, west, and south; our population now is over 200,000 people, making us the second largest city in Illinois. Two commuter rail stations carry travelers to and from Chicago. Interstate 88 runs through Aurora at its northern end, with easy access from all parts of town.

At the heyday of Midwestern development (early 1920s through the 1950s) many commercial buildings were built in downtown Aurora, designed by prominent architects and standing as a strong representation of civic and commercial pride. Among the gems that still exist are the Paramount Theatre, the Leland Tower, Old Second National Bank, the Keystone, the Terminal, the Hobbs, the Aurora Hotel, the Fire Museum, the G.A.R. Hall, and the Elks Club. Downtown Aurora was a regional hub for retail and professional services and entertainment. Along came shopping centers in the late 1960s and early 1970s, and casino gambling in 1993: major catalysts for dramatic changes in downtown Aurora. Other factors precipitated change, too, and not just downtown. Small factories closed, unemployment rose, gang violence reared its head, and new suburban housing developments in close proximity (North Aurora, Plainfield, Oswego, Montgomery, Sugar Grove) drew Aurora residents to seek greener pastures.

City government and the local Chamber of Commerce undertook a number of planning studies, beginning in the early 1970s, to cast various scenarios about how to “save” downtown. The studies recommended a variety of strategies, suggested by a cadre of urban planning and architectural consultants who were advising cities throughout the Midwest. We were told to make our downtown more pedestrian-friendly, to reclaim our riverfront, to preserve our historic buildings, and to use our central business district as an entertainment destination. Later studies (circa the early 2000s) reinforced these concepts, and added the idea that culture and the arts could assist in crafting a unique identity, and in attracting younger residents.

In 2008, city staff convened an ad hoc group to discuss what might be done to support the arts in downtown Aurora. The product of their discussions was a white paper on using the arts as a revitalization tool. Ideas were drawn from other communities that were facing similar challenges.

We were fortunate in many ways. Though the “Great Recession” had hit us hard, the Paramount Theatre had already embarked upon an innovative plan to bring a series of Broadway-quality productions to its stage – and though, at first that seemed risky, that gamble paid off in a huge way. Because our downtown had suffered from disinvestment over the years, much of our significant architectural heritage remained intact. Though many buildings had been neglected, they had not been demolished…so they were “ripe” for discovery once the economy improved. National Register Historic Districts were created along LaSalle Street and Stolp Island in the 1980s. In 1993, the city had wisely instituted architectural guidelines for redevelopment within the FoxWalk Overlay District (downtown), so that as buildings were repurposed, they did not lose their unique architectural integrity, and as new construction came online, those structures fit the scale and character of the existing streetscape.

Probably the most important factor in our revitalization was the fact that we had a strong cohort of believers. Many artists from a wide range of disciplines already made their homes in Aurora. Suddenly, they started talking to each other in ways they hadn’t done before…and a variety of projects began to blossom, including the Aurora ArtWalk, which over time metamorphosed into First Fridays. Though we do not have a movie theatre or book store in Aurora, a group of devoted “cineastes” formed the Aurora Film Society several years ago, and now claim a membership of nearly 100 people who attend monthly screenings of “films you didn’t know you needed to see” in space provided by the Aurora Regional Fire Museum.

A volunteer-run, non-profit used book store, Culture Stock, was housed in a city-owned building for about three years. “Lit by the Bridge,” a curated showcase for local authors, found a home in the shop, as did “Music Mondays.” The book store closed when the city found a restaurant tenant for the space. The musicians were able to relocate to a downtown coffee shop. Certainly not all proposals have flourished, but successes have led to an atmosphere of openness to possibilities; new ideas continue to come forward.

Aurora has had a modest cultural infrastructure in place going back many years, with an opera house located downtown in the late 19th century, as well as several music conservatories. Salons and Sunday afternoon performances were hosted in private homes. The Paramount Theatre was constructed in 1931; the Sky Club atop the Leland Hotel opened in the 1930s, with a studio in which Bluebird artists made over 300 records. A local community theatre, Riverfront Playhouse, has been in operation in a city-owned building since the early 1970s. The Aurora Area Convention and Visitors Bureau has been a champion of the arts since its formation in the 1990s. Several small museums have existed in downtown Aurora since that time: the Aurora Regional Fire Museum, the G.A.R. Hall, the David L. Pierce Art and History Center, and SciTech. With the exception of the G.A.R., all are located in re-purposed buildings, with rehabilitation funding provided by the City of Aurora. After many years of ignoring one another, a wave of new museum directors emerged in the early 2000s and staff began working together on cooperative promotion and marketing. The Hollywood Casino, which opened in 1993, offers live entertainment, and is a strong financial supporter of the Paramount Arts Centre.

Aurora Downtown, an association of property owners located within a Special Service Area, underwent a change in leadership and an infusion of young entrepreneurs who were willing to spend their tax dollars and time to program events throughout the year, bringing hundreds of people downtown. The city’s Special Events Division collaborated and cooperated to increase the number of festivals and parades that took place downtown. The Fox Valley Music Foundation, a group of eight friends who had met while volunteering at Blues on the Fox, decided to form a nonprofit organization and were able to open The Venue, a 200-seat state-of-the art performance space in a city-owned building that had been slated for demolition.

The Aurora Public Art Commission enlisted local artists to paint murals and decorate utility boxes in downtown Aurora. The Aurora Public Library constructed a new facility at the western edge of downtown. Waubonsee Community College, which, in the 1980s had rehabbed two vacant department stores (Carson Pirie Scott and Montgomery Ward) for a downtown school, constructed a new campus along the riverfront. The Paramount opened a school of performing arts in the former college buildings.

The city undertook a major environmental cleanup to build RiverEdge Park just north of downtown in 2013 – an expansive open space along the river which can accommodate nearly 10,000 visitors. Downtown Alive! and Blues on the Fox moved to this site. A major bicycle-pedestrian bridge is currently under construction adjacent to RiverEdge Park, which will link the east and west banks of the river, and make access to the Transportation Center much easier. The historic limestone roundhouse adjacent to the Transportation Center (Route 25) was saved from demolition in the 1990s and converted to a restaurant, brewery and event space owned by the Two Brothers Brewing Company. It features live music and art exhibitions. Once the bridge is completed, its patronage will likely expand.

None of this happened overnight. We have managed to hold our own since the “crash” in 2009. The economy has improved. New condominiums have been constructed at the south end of downtown, along the river. The remaining large-scale vacant buildings are attracting residential developers, which means more people living downtown, with disposable income and the desire for entertainment. New restaurants in rehabbed buildings host live entertainment. Galleries have opened. Vintage shopping is becoming a “thing.” The city’s liquor ordinance is being updated to allow more craft brewpubs and bars without full-blown, expensive kitchens.

 Many visitors would say that there are three great things about downtown Aurora: the arts “vibe”, the architecture, and the fact that so many independent entrepreneurs have been able to succeed. We have no “chain” stores or restaurants downtown – but we do have three independent coffee shops, all of which feature art exhibits, live music, and even poetry readings on occasion.

Here are some takeaways from our experience in revitalization:

—Leadership at the top – from the mayor to city council members to the chief of police.

—Economic development staff who will encourage the implementation of appropriate incentives (Tax Increment Financing Districts, Special Service Areas, Historic Tax Credits, rehabilitation grants, etc.)

—Developers who have experience and the wherewithal to execute projects that will be successful, and can weather economic downturns.

—Business people with energy, ideas, and a financial track record.
Artists who are able and willing to collaborate, and avoid the silos of their particular disciplines.

—The ability to “hang on” until the naysayers (often people who have lived in the community for years, and whose families go back multiple generations) become believers.

—The ability to attract visitors from other communities who are looking for a unique experience. Case in point: the Paramount Theatre’s subscription base is primarily people coming from outside Aurora. The same has been true for those who attend performances at the Fox Valley Music Foundation’s Venue.

—Have a plan. Work the plan. Revise the plan. Revise the plan again.

—Proselytize! Don’t give up!
Good luck!

The Agricultural City Project: https://freeriverpress.org/the-agricultural-city-project/
https://www.robertwolfthewriter.org/free-river-press/the-american-mosaic-project/

External links:
https://www.aurora-il.org

THE SORCERER’S APPRENTICE (Der Zauberlehrling)

Johann Wolfgang von Goethe

Freely Adapted into English
Owen Christianson

Great! The sorcerer—and that’s strange!
Has left me here alone today!
Now his spirits, for a change
My wants and wishes will obey!
Having memorized
Spells, steps and stages,
By my great mind fertilized,
Magically I’ll sport and play,
And with the spirits have my way.

Go, I say.
Go on your way.
Do not tarry!
Water carry!
Let it flow abundantly
Go, prepare a bath for me!

China now, old broom, go get dressed!
These old rags will do just fine.
You’re a slave, a serf—at best!’
And this day you will be mine.
Here’s two legs,
A head on top.
Take the kegs!
Go quick! Don’t stop!

Go! I say.
Go on your way!
Do not tarry!
Water carry!
Let it flow abundantly.
Go! Prepare a bath for me!

Watch him bound through the door with a dash.
And now he’s reached the bank of the river.
He’s back as quick as a lightning flash.
Ice-cold water to deliver.
Look! The tub is filled to the top.
And watch the broom pour each last splash
Into kettle and bowl and plate and cup.

But stop! Stand still!
And heed my will!
I’ve had enough
Of this sorcerer’s stuff!
I’ve forgotten—Oh, luckless me!
What the magical word might be.

Oh, the word to change him back
Into what he was before.
Look! He runs with a white hot track.
I wish you’d be a broom once more.
He keeps hauling vats of water
Just as nimbly as can be.
With a current ever broader
Pouring, pouring down on me.

No, no longer!
Can I let him?
I must catch him
With some trick.
I’m getting sick
As I behold him.
Him! A raging lunatic.

O, you miscreant from Hell!
The entire household you will drown.
Everywhere I look, I tell
You, water, water running down.
I curse you, tattered, splattered broom.
What can’t I knock you to your doom?
Be a stick once more, I beg you.
Be a stick, I tell you. Soon!

In the end
Still not in sight?
I will grab you.
Hold you tight.
With my axe I’ll split your brittle
Gnarly wood right down the middle.
Here he comes again with water.
Now, I’ll throw myself upon you.
And the sharpness of my axe
I will test, O wretch, on YOU.
Bravo! Quite a perfect hit.

Look! with just one whack
He’s split.
Now, at last, there’s hope for me.
Subsequently, I’ll breathe free.

A pox on me! For far from quitting
This blackguard comes to life anew.
But then, to satisfy my bidding
I’ll have slaves. Not one. But two.
No! Help me, O Great Powers on High!
Help me now! I beg and cry.

See them scrambling! Wet and wetter
Get the stairs, the rooms, the hall!
What a deluge! What a flow!
Lord and Master, Stop this squall!
Ah, here comes the sorcerer though.
Master, I have need of Thee.
Them! The spirits that I’ve called.
From their fury set me free!

“Back now, broom!
Into the closet!
Be just as you
Were before!

Its true master overawes it.
Draws it,
Bound behind the door.
Till that Sage whom
Glooms abhor
Calls them forth
With measured lore.

Red Snow

By Roger D. Isaacs

Roger attended the University of Chicago, the University of Wisconsin, Madison, and graduated from Bard College in 1949 with a major in Language and Literature.  While still at Bard, he joined The Public Relations Board in 1948 where he became Chairman and President from 1975 to 1986.

He is currently on the board of the Chicago Crime Commission; emeritus Member, Community Advisory Council of radio station WBEZ Chicago, Life board member North Shore University Health Care System, Advisory Council and member of the Breasted Society, of the Oriental Institute of the University of Chicago.

In addition to his many articles in the public relations field, he is author of the books Talking With God: an Etymological Study of the Bible, The Golden Ark: A Pictorial History and the monograph Puzzling Biblical Laws with his late father, Dr. Raphael Isaacs. Roger lives in Glencoe, Illinois with his wife Joyce and has two daughters, four grandchildren and one great grandchild.

IN 1943 AT AGE SEVENTEEN I graduated high school from the University of Chicago’s Lab School and knew exactly what I wanted to do. Continue education right away, follow in the footsteps of my physician father and grandfather, go into medicine. Clear path.

None of this was to be. World War II changed everything.

I had a chance at it though. The army had a reserve program. If you qualified, were seventeen, you could enlist in The Army Specialized Training Reserve Program, ASTRP. You went to a university to study pre-med or pre-engineering. I qualified and was sent to the University of Wisconsin at Madison. Beautiful new dorms alongside a little tree lined lake. It was entirely different from the rather sheltered life I’d lived. Tough courses in physics, chemistry, math, etc., tough teachers. The physics professor, cold as the Arctic, made it clear that if we flunked, we’d be sent to some outfit like the infantry where likely we’d be killed.

At eighteen we became regular army and ASTRP was now just the Army Specialized Training Program, ASTP. We were sent from Madison to Fort Benning, Georgia for Basic Training. The plan was that when Basic ended we’d be sent back to school to finish undergrad work and onward and upward from there!

Before we went to Fort Benning there was a stop at Fort Sheridan just north of Chicago. It was there we were officially sworn into the regular army, got shots while standing in line looking pretty much as we did the day we were born, and where I made the dumbest decision in all my 18 years. In the interview session I was asked if I could type. Well, I could. I’d learned to touch-type one summer in elementary school. “Yes, I can type.” The noncom interviewer strongly suggested that I should take a typing test. If I passed, I could stay at Sheridan, become a clerk, and probably spend the rest of the war doing office duty. Do I take the test or stay loyal to the friends I’d made at Madison who were going with me to Fort Benning? Loyalty (or idiocy) won out, and I declined. It was one of those, “If I’d known then what I know now” things, I’d be telling war tales about how my fingers got sore from typing documents at Fort Sheridan, Illinois.

While at Sheridan I had my first experience at guard duty. It was Christmas weekend, and most of the men got passes. Not me. They got to go into Chicago, or just to visit the bars scattered across the street from Sheridan in Highwood, at the time a dingy little town mostly inhabited by Italian immigrants late from the steel mills of Pittsburgh.

Evidently it was decided that my religious persuasion didn’t make me interested in the Christmas holiday, so I was chosen to guard Fort Sheridan against enemy attack by marching back and forth all night along a fence several thousand miles from Germany and Japan, but thirty five miles from my parents’ apartment in Chicago.

Merry Christmas, and on to Fort Benning!

If Madison was different, Fort Benning was another world. It was staffed by older, hardened regular army men who’d been in service since the Thirties. They made my “tough” physics professor seem like the soul of sweetness.

Now we went from dream dorms to bare barracks: Orders: “All you little $$#@%s getup, it’s 3:00 in the morning! Scrub them floors!” Not good enough. 5:00 a.m. you did it all over again.

Marches for miles in the scorching Georgia heat. Push ups, sit ups, rope climbing up walls, crawl on your belly under live fire, “Get your f—-ing fat faces down!” Firing range with many kinds of weapons. Every muscle in still soft bodies aching. Back to barracks. Scrub them again. Up at 4:00. Repeat the day. Gradually we toughened. We couldn’t wait to get out of this hellhole and back to school!

But near the end of Basic an order came from on high. The ASTP program with its 110,000 students was to be closed due to the need for men overseas. In an instant, instead of going back to school at Madison, we were sent to Fort Jackson in Columbia, South Carolina to join the 87th Infantry Division. (Shades of my physics prof!)

Once there we lined up to determine our assignments. Got to the sergeant in charge. “What d’ya want to be?” “Oh! Medical Corps. I want to go into medicine!” “Yer gonna be in the Infantry.” Man behind me—“What d’ya want?” “Don’t care, anything.” “Yer in the Medical Corps!” In one second I was to learn how the army worked.

Fort Jackson. Another new world. We were assigned to the 345th Regiment, Company E of the 87th, a division with a history dating back to World War 1. Our Company was a combination of ASTP kids and, again, grizzled regular army men, mostly from the farms of the south. For the most part it was a pretty agreeable bunch. I began to make some good friends from all over the country. One was Charlie Titone, a good natured, happy-go-lucky kid from Brooklyn with a perpetual smile. Another was my squad leader Bill Tuley from Indiana, an “older” man, meaning he was 28 at the time. (We reconnected fifty years later when he called me, and I recognized his voice without identification. We remained friends until his death just a few years ago.)

I also wasn’t a kid any more. I quickly grasped that you either learned “the army way,” or life could be pretty rough. If you didn’t cross the non-coms who were over you, things went fairly smoothly. You were treated like a man, and if you didn’t act like one woe be to you! The “f” word became an integral part of vocabulary and if not utilized on a regular basis you were immediately suspect. (To this day, when I get really angry those choice wartime words come tumbling out.)

Part of “growing up” was how you deported yourself on off hours. Sometimes evenings and Sundays were free and you got a pass to go into Columbia, a rather pleasant town, capital of the state, with a college on one hand and a lot of bars and “action” on the other. Both options were available, and you’d better spend some time with your buddies in the latter. Other than beer the only alcohol available was rum. (Even now, if I so much as sip the stuff, I get a splitting headache.)

Most of our days were taken up with the same activities we practiced at Benning, with added duties such as KP (kitchen police), i.e. peeling potatoes, washing dishes, mopping floors, etc. In addition, KP was used as punishment for recalcitrant soldiers. I always felt it was also part of the unarticulated process of slowly wearing away any feeling of importance or individuality. This would continue on a downhill slope throughout my active stay in the army.

One day we were on the firing range for rifle practice. We were alternating between using the mostly employed M1 rifle and its big brother, the lethal ancestor from World War 1, the Browning Automatic Rifle, the BAR. It was a particularly hot day and sweat was pouring down my face over my army issue steel rimmed glasses. I was using the BAR, firing away through the befogged spectacles when the sergeant in charge came up to me and said, “Private, do you know you hit the bullseye every time? You’re going to be our BAR man!” Oh boy! Just great! At the time I was still growing, so let’s say I was 5’8 or 9 of the almost 5’ll I would eventually reach and probably weighed 128 or 129 lbs. Now with a loaded bandolier the BAR came to almost 40 pounds. (The M1, loaded same way, came to about 25 lbs.) If you were marching with the weapon and full field pack, I’m told you were lugging 98.69 pounds.

The basic makeup of a rifle squad was supposed to be 9 to 12 men, a squad leader, grenadiers, riflemen and 2 BAR men. In ours I was the sole BAR man. Because of its weight, the BAR was to be passed down the line every 15 minutes or so on a march to relieve the BAR man. This never happened. I carried it, and once in a while someone would take it for a few minutes.

So we were “married,” the BAR and I, until almost death did us part. I had to know how to break it down and reassemble it in minutes, keep it sparkling clean inside and out, and otherwise just live with it.

We continued the interminable training for almost a year, and finally orders came to prepare to go overseas.

The weekend before we were to leave Jackson we were given passes. But before we could go we had to have inspection. That meant non-coms going through all our belongings to see if we had anything that could hint of division information to the enemy. When the sergeant started going through my footlocker, lo and behold he found an extra division patch I’d forgotten to dispose of. “Pass rescinded! You’re spending the weekend on KP!” Of course I intended to go over his head to the company commander to plead for respite, because I was to meet my parents who were coming from Chicago to Atlanta for a final get-together with me. But the company commander had already left on his pass. By this time in my army life I was no longer a green recruit. I knew, if you wanted something you just had to go get it. If I remember, I went to the regimental commander, or at least someone way up the line and told him my story. “I’ve got my train tickets, my parents are on their way all the way from Chicago to meet me, please let me go!” I must have touched a hidden tender nerve, because he agreed, but when I returned I’d have to go on K.P. “Thank you sir!” I met my folks. We had a fine farewell, and I wasn’t to see them again for a long time. 4K.P. wasn’t all that bad.

We left Fort Jackson and went to a harbor in New York City to board the Queen Elizabeth, largest ocean liner in the world, for our “vacation” to we knew not where!

No longer a luxury liner, the Elizabeth was outfitted to carry a total of 17,000 “passengers” and crew. Most men were assigned to specified quarters on the ship and ordered to stay there. Most men didn’t want to move from their bunks anyway. They were too sick.

Not me! For some unknown reason this little Jewish boy was named chaplain’s assistant and given the run of the ship! Each morning I would report to the chaplain in a replica of the fairy tale gingerbread house, which served as his office. It was originally for the Royal Family’s children. Then I could wander the entire ship “from stem to stern” or just find a private corner and read one of the books from the ship’s library.

The Elizabeth took only 5 days to cross the ocean in a zig zag fashion, so fast, I was told, it didn’t need armed escort ships for protection.

We entered port at Gourock Scotland on October 22, 1944, one day short of my nineteenth birthday. Then on to a little town, Stone, in England. The officers were put up in an old mansion, and we tented on its grounds, which were soaked with rain and covered with mud.

Not all bad. Passes to London to see the sights, which by now were terribly scarred by the results of constant German bombing. Learned to know the sound of the unmanned German V-1 or buzz bombs flying overhead. As long as you heard their weird sound it was ok, but when the sound suddenly stopped, it meant they were ready to drop and do their terrible destruction. The Londoners took it all in stride and, depending on the danger, either made for bomb shelters or went about their daily routines as well as possible.

Time came to cross the English channel for France. There we boarded “Forty and Eights.” These were old boxcars so named because they held either 40 men or eight horses. Chugged slowly along the French countryside with signs of previous battles all the way. We debarked from the train and marched some miles to the area of Metz. It was then I learned to sleep while marching.

Quoting from the 87th Division History “On 5 December the Division began its movement to the combat area in the vicinity of Metz where the 345th Regimental Combat Team was committed to preliminary action …to assist in the reduction of the remaining fortresses surrounding that city.” We were quartered at Fort Driant, the largest of the enormous fortresses surrounding Metz that had finally surrendered after months of fruitless battles by U.S. forces. Here we learned we were now part of General George Patton’s 3rd Army. These forts were massive structures built by the Germans in the early part of the 20th century, constructed of concrete and steel and extending to tunnels deep underground. One of these was Fort Jeanne d’arc. It had not yet been captured and was busy lobbing shells at us in Driant. At night we were sent out on scouting parties to send back reports on anything we might see. One night I was on one led by a very green, young lieutenant. He spotted a cat coming out of the dark and evidently concluded that it represented the entire German army. He completely lost his cool and fired at it. He was successful in killing the “enemy” cat and also bringing down a barrage of fire from the real enemy at Jeanne de arc. We managed to get back to the safety of our fort, but I never knew if there were suggestions from above as to what to do with that courageous cat killer.

Fort Jeanne d’arc was taken, and we moved out from Metz and into the Saar Region, which at the time was held by Germany. By now it was freezing cold and snow and rain were constant. We were outside all the time. Keeping warm was impossible. We kept our socks warm by alternately tucking them in our shirts against our skin and putting them back on for short periods. Foxholes were dug, and we would lie two by two to try to keep warm in the little time there was to try to get some sleep. Rations were short, finally down to chocolate bars, which were so concentrated you could only eat a piece at a time without getting sick. Equipment was also in short supply, so, instead of the more protective combat boots, we were issued lightweight rubber galoshes, causing almost everyone to get trench foot. (Much later, when I finally got back behind the combat zone, I noted the men in Headquarters companies jauntily sporting the combat boots.)

On December 17, 1944 we were moving through a woods, ostensibly to take a town beyond it. We were firing against light counter fire when suddenly “all hell broke loose.” We were facing every kind of weaponry you could imagine. We were being shelled by the pinpoint accuracy of the 88mm guns of the German Tiger tanks, small arms fire and, I later learned, even from our own misaimed artillery from behind our own lines. Hard to believe, but I remember the noise of the exploding shells was so earsplitting it affected the olfactory nerves and you could smell it.

I was moving forward, firing the BAR when all of a sudden a 2 by 4 board hit me as hard as it could, and I went down and out. Well, it felt like a 2 by 4, but was actually a bullet going through my right shoulder. In the chaos someone, maybe a medic, came along and strapped a makeshift tourniquet on my arm to stop the bleeding, helped me up and back toward our lines. The tourniquet worked itself off three times, three times I passed out and three times someone strapped it on and got me going again.

What was happening was the company was in full retreat from the terrific German attack. Adding to the noise from the shelling were the terrible screams of men being killed or wounded.

We didn’t know it at the time, but on December 16, 1944 the Germans launched a huge attack all the way from where we were to Belgium. It was to be known as the “Battle of the Bulge.” It resulted in the largest number of casualties in WWII. Figures vary, but roughly almost 20,000 were killed, 47,000 wounded and 23,000 were captured or missing. It was to last from that day until January 25, 1945. As I was later to understand most of our Company E men were either killed or wounded that first day. This included our Company Commander and First Sergeant, wounded, and my buddy Charlie Titone, killed.

When I was finally taken behind the lines, I was put down along with others who were waiting for ambulances. It was night now, very dark. Several of us were loaded into an ambulance, and we took off in that deep dark. For just a few minutes. Not being able to see (headlights out for safety), the ambulance went off the snow covered road and tilted halfway over. I have no idea how it was righted, but we eventually got under way and on to a minuscule field hospital not far behind the lines. As I remember, it was there a preliminary closing of the wound was done

I do know it was in an area of immediate danger and that I will never forget the incomparable courage of the nurses, risking their lives to tend to the wounded that terrible night.

Next move was to a hospital in the town of Bar le duc, France. There it was determined the bullet had split the artery and vein in my shoulder causing an aneurism, and it had hit the nerves paralyzing my entire right arm and hand. I also had shrapnel in my back. It was obvious to the surgeons that much more had to be done.

It was at the hospital at Bar le duc that PFC Isaacs became a General, or, at least was treated like one. In conversation with the wonderful army nurses there I learned that the entire nursing staff was from Michael Reese Hospital in Chicago. That’s where my father was head of the Department of Hematology! He was a revered physician at Reese, particularly loved by the nurses. When I told them I was his son, I was not only treated like a General, but complete reports regarding my wounds, initial treatments, condition, etc. were sent on to Dad.

One annoyance at the Bar le duc was “Bedcheck Charlie.” This was a little single engine German plane that flew over the hospital at night occasionally, always with the possibility that it would drop a bomb. At those times we were all ordered to run for cover. As I remember, that meant getting under our beds. It never happened while I was there.

Because of the injuries to the nerves in my arm I was put in the neurological ward with men who had similar problems. Next bed to me was a soldier with a head wound that somehow caused complete amnesia. Every day he managed to remember a little more of the past, but his attempts to recapture his memory caused him such anxiety that he would lie there and cry. I did try my best to calm him, but doubt I was much help. His problem went on the entire time I was there and gave me great respect for the mysterious workings of the brain.

Leaving Bar le duc we went across the channel to England. On that trip I had the first glass of milk in months. Talk about nectar of the gods! On to a hospital ship, a converted single deck cargo ship, through winter storms to a short stop at a hospital in New York. Finally to Mayo General Army Hospital in Galesburg, Illinois where there were specialists in neurological surgery. Once again I became a “General.”One of the surgeons who did my final operation was also from Michael Reese Hospital, as were the nurses at Bar le duc, so Dad was again able to get detailed information as to my progress from this kind doctor.

It was necessary for me to wait for collateral circulation to replace that in the arteries and veins rendered useless from the bullet. Meanwhile, I had daily rehab to get some strength in the arm. Nine months later (during which I read every book written by Sinclair Lewis plus many more from the hospital library) the final operation was done successfully.

I was released from the hospital and discharged from the army at exactly the right time to enter college in the fall.

It was made abundantly clear from my brilliant, highly educated mother that what I had just experienced was past history, and I was to get on with my education NOW. Today I guess they call that tough love.

I was introduced to a little school in upstate New York, Bard College through the lucky happenstance of having cousins who were attending. This turned out to be a perfect place for a returned veteran to “get on with his education.” A quiet, welcome change from the crowded, Spartan existence of the past years, a world class collection of teachers. Most of my class was made up of veterans, totally different in their level of maturity compared to the few non vet freshmen also entering. I don’t remember any conversations about the war, our experiences, or any residual problems we might have had attendant to it. We were there on the GI Bill, which was paying our tuition, and we were all anxious to get in, get out, and get on with our lives. Money was scarce. We had to earn a living. No excuses!

As a matter of fact, as I progressed through my college, business, professional and married life, I don’t remember lessons learned from army life being applicable to that later life. As I look back now on the events of some 70 years ago I see two seemingly separate, unrelated lives, the first, dim, only occasionally lit by war related anniversaries announced in the media or from friend or family questions, the second a little pride in growing a business, having a supremely happy marriage with terrific kids and grandkids and (a third life?) researching and writing books and articles relating to biblical study. Maybe, thankfully, that’s the way the mind works to protect itself.

***

For his part in the Battle of the Bulge, my friend Roger was awarded these medals;

87th Infantry Division Purple Heart
French Legion of Honor
Bronze Star 345th Regiment
Combat Infantryman Badge
Victory Medal 
ETO3 battle stars
American Campaign
Army of Occupation Germany
Good Conduct Medal

 

Roger Isaacs is the author of Talking with Godwww.TalkingWithGod.net

Harry’s Last Ride

By Jim Dale

In a small town named Rudd

At the south edge of a large flat plain of rich glacial deposit in north central Iowa lays a small town named Rudd. Half way between Mason City and Charles City you know you are approaching as you travel highway 18 when you see ascending on the horizon several story tall white grain bens of the local Farmer’s Elevator, capacity 2,462,000 bushels of corn. Town population -364. (Give or take a dog and a cat

With a limited business district the town has only two churches, a small Wesleyan and ours First United Methodist. As pastor I am virtually the town Chaplin.

Now in the winter time when the blustery north winds rage across the prairie, as they always do, there is nothing to stop or slow the wind and snow. So we have developed a technique of response. We bundle up, hunker down, stay inside and wait out the storm.

On a winter day

It’s January 1971.

I go to my office one morning to do some indoors relaxed catch up reading. A winter storm is coming. Unless you have livestock to feed no one in their right senses is going out.

Then my phone rings.

(Goodbye right senses.)

“Jim Dale.”

“Rev. Dale, This is Benny Brown. I just carried Harry Schrader into his house. I saw him fall while shoveling snow from his back steps. I don’t know if he is alive or dead. Can you come help?”

“I’ll be right there.”

Harry is an 80 year old member of my parish. Benny lives next door. I jump in my boots, pull on my parka and run the three blocks to Harry’s house.

He’s lying on the kitchen floor. He isn’t breathing. I search for a pulse — can’t find one. I call the nearest Doctor in another town twelve miles south.

The doctor sighs, “There is no way I can get there. Shine a flashlight in his eyes. If they don’t dilate you don’t want him back.”

I do that. There is no response.

Harry’s wife, Laura, is a small, frail woman, but still quite sharp. I put my arm around her shoulder and pray, “Thank you God for Harry’s long and good life. Grant him your mercy and blessing. And grant us your guiding strength.” (That part is more for me than for them). “Amen.”

Laura looks up at me and asks, “Rev. Jim, Will you get Harry to a funeral home today?”

“Laura, I’ll do all that is possible. I promise.”

But that’s the problem. What is possible?

Keep him cool and don’t let him freeze

I call the only funeral home in the area. It’s in another small town seven miles west. Tuffy Sheckler is the funeral director. I know him well. But against this blizzard even Tuffy isn’t so tough.

“There is no way I can come get him, Jim.” he says, “Bring him in if you can, but in the meantime, keep him cool, but don’t let him freeze.”

“Right! Thanks Tuffy!!” I say with a cynical snarl.

OK, how can I get Harry to Nora Springs? I can’t leave him lying on the kitchen floor.

I call the DOT in Charles City (another small town 15 miles to the east), “Can you come open our road?” They decline.

So, I call Jim Krause, Rudd’s volunteer fire chief and Mayor. Rudd has one grader and one truck with a blade. They will open the road. The firemen come and secure Harry to a stretcher. I ran home to get my small station wagon. Harry is my passenger.

At noon we plow forward to the west. One mile out of town highway 18 makes a small dip across little creek. The blizzard is dropping tons of snow there. The truck driver instructs me to wait while they open the road. So I wait…and wait… At 3:00 p.m. they return in a white out. I roll down my window.

“It’s hopeless,” they shout, “it’s blowing back in faster than we can push it out. We’ve got to go back.”

“Rats!” I spin my car around headed back to Rudd. But my mind is still spinning.

“Now what? How long will it take for this storm to blow out? How long after that will it take them to open this road? How am I going to, ‘Keep him cool but not let him freeze’? What am I going to tell Laura?”

A change of luck

Desperately, I look up my friend, Bob Hoover. Bob owns and operates a local chicken hatchery.

“Bob, I have a problem. Do you have a place where I can park my car and control the temperature?” I tell him my dilemma, “Keep him cool, but don’t let him freeze.”

Yes,” Bob says, “We have an insulated garage with a thermostat. You can park there.”

A rush of adrenaline hits me. “Wow!” My first break of the day. Rudd has no police department to investigate the Hatchery so Harry will be safe. I can walk the six blocks home.

As I leave the hatchery I cross the street to “Stile’s Deep Rock”, the town’s only gas station. Surprisingly it’s full of young men. They’re refueling their snowmobiles.

A voice speaks in my head, “If you can’t go through the snow, go over it.”

I ask one of them, “Do snowmobiles have passenger trailers?”

“Sure,” he answers.

I follow up my question with another, “What would be the possibility of giving Harry a ride to Nora Springs?”

Now rural young men are neither trained nor inclined to show feelings. Being tough is their genre. But here is a challenging, daring adventure – an opportunity they can’t pass up. So, with a certain nonchalant bravado they say, “Yeah, we can do that.”

 A thrilling ride

At 6:00 p.m. We meet at Hoover’s hatchery – eight young men, five snowmobiles, one trailer, and Harry and me. We bundle Harry really good. (“Don’t let him freeze”) In fact, Harry might be the warmest of us all.

I am the rider on the last snowmobile. I’ll tell you a secret, “I have never ridden a snowmobile before in my life.” Fortunately, as a rider I can hide behind my pilot who must watch the road and face the wind. Full bearded he soon looks like old man winter himself, with whiskers extending in all directions like a porcupine sculptured in ice.

Off we go, single file, leaning into the dark howling wind and blowing snow, over snow drifts, around abandoned cars and hidden objects, on the highway, into ditches. It is more thrilling than a ride at Adventureland. But our operating staff is absolutely superb.

In less than an hour we skid into Nora, (zoom, zoom, zoom, zoom zoom). We bank right to Sheckler’s Funeral Home and slide to a stop at Tuffy’s back door.

I jump from my saddle and run to ring the doorbell. I look back. I see eight living snowmen, gently lifting Harry from his royal carriage, hoisting him to their shoulders, carrying him up the ramp into Tuffy’s workroom. Ever been to a funeral with eight snowmen as pall bears? It’s a glorious sight.

No storm lasts forever

Tuffy is thrilled. Now, he can make Harry look really good. The Snowmen stand dripping and proudly grinning. They have beaten the blizzard with a good deed.Laura, will be relieved and appreciative. Now Harry will look good at his final “viewing”. But she won’t see this body lying before her when it happens. This is only Harry’s left-behind empty shell.

She will see the dashing young man who 60 years ago stole her heart, swept her off her feet and carried her over a threshold. She will see the man who laughed with her and cried with her as they grew together over those years. She will see the man who only a few days earlier put on his hat and coat to go out and shovel snow off their back steps, …. as he always did.

Now, I know something else, “No storm lasts forever.” In a few days the wind dies, the clouds vanish, the sun comes out against a bright blue sky and casts its rays on spectacularly, breathtakingly, beautiful winter wonderland robed in sparkling pure white. And on that day all Harry’s friends come to give him honor.

But as for Harry, I think I can discern a slight smile on his face, (but perhaps that’s just my own projection.) The word that best describes him is “serene”.

He has laid down his burdens, cast off his troubles and bidden this old world farewell.

Now I see him sitting up in another breathlessly beautiful place. He looks around and asks, “Am I still in Iowa?” I hear a voice say, “Well, yes, sort of. This is Heaven.”

Ah, but what about you and me, as we still travel through a sometimes cold, cruel world? Well, try this small town suggestion: “Keep cool and….don’t freeze up!”

Bob Wills in Roy, New Mexico

 

By Rudy Gonzales

Note: Rudy Gonzales lives in Tucumcari, New Mexico and wrote this story during a writing workshop I conducted there in 2010. Rudy is a retired sign painter and a man with a lot of stories about the old days in Roy. Ken Burns recent history of Country Music prompted me to post this and give some little known information on Wills. What Rudy writes  is confirmed in Wikipedia.

I was raised in Roy, New Mexico where the events I will talk about took place. What I am about to talk about was related to me by my father. My father was Diego Gonzales. He was a barber by trade, and very well known at that time in Harding County. Barbershops were kind of local meeting places.

My dad played the fiddle and usually had a fiddle handy in the barbershop. During this period there were a lot of local violinists who would drop in to play with my dad when he wasn’t busy attending to a customer. Usually guitar players would accompany him.

Roy, New Mexico

On the day in question, my dad was playing his violin during a break from barbering. He was being accompanied by a well-known local man named Adolph Romero. I’m not certain whether Adolph was playing the banjo or the guitar. He could play both instruments. He was the only banjo player that I know of who lived in Harding County.

During the time my dad was playing, a stranger walked in. He was dressed in overalls and looked like a typical farmer. My father asked if he wanted a haircut. The stranger said he just wanted to listen to the playing. My dad continued to play and then a customer walked in. My dad placed the fiddle in the fiddle case and proceeded to attend to his customer. The stranger then addressed my dad. He said, “Mister, do you mind if I play your fiddle?”

My dad replied, “You’re welcome to.”

Bob Wills

My dad told me he thought to himself, “He’s welcome to play my fiddle, but I’ve never seen a gringo farmer that could play worth a damn.” The stranger then proceeded to play. My dad and Adolph Romero were pleasantly shocked! The stranger was a great fiddler. His name was Bob Wills!

It seems he was traveling through small towns looking for work in a barbershop. He had recently graduated from barber school in Amarillo, I believe.

After the initial introductions, my dad and Adolph proceeded to plan a dance at the local dance hall. The owners were to rent or lend the dance hall free of charge. Dances were well attended and attracted a large clientele to the bar, thus benefiting everyone.

The word was quickly passed on that there would be a dance and that a very good fiddler would play with the local musicians.

During this period, there were many fiddlers in Roy and Harding County. It was the custom for fiddlers to take turns playing, allowing the contracted musicians to have a brief respite.

\

Bob Wills was introduced to the local musicians and played regularly during his stay in Roy. Some of the musicians he played with were Abram Vargas, a locally renowned fiddler, and his two brothers, Juan and Mark Tafoya, names now probably known only to very old people. I am fortunate enough to have known these gentlemen. Unfortunately, I met them several years after Bob Wills left Roy. Another fiddler, probably lot younger at the time was Abenicio Salazar, known as “Abe.” Abe had very fond memories of the events I am relating and filled some of the gaps that my dad hadn’t told me.

I am not exactly sure of the time these events took place or how long Bob Wills resided in Roy. But it was probably in the thirties. It is known that he composed the music to “San Antonio Rose” in Roy, but had titled it “Mexican Two Step.” He later changed it to “San Antonio Rose” when he auditioned to play on a radio station somewhere in Texas. His prospective employer liked the tune but said that he needed lyrics to go with the tune. Supposedly, Bob and his accompanist retired to his home and in one afternoon wrote the lyrics that became famous.

When Bob Wills decided to leave Roy, he asked my dad to accompany him. He had plans of starting a band.

My dad told me that Bob Wills really like my dad’s violin and attempted to buy it from him. My dad was very attached to his fiddle and wouldn’t sell it. My dad said Bob invited him to a local bar and proceeded to try and intoxicate him and convince him to sell his fiddle. My dad refused and accompanied Bob to the train depot. Years later, my dad learned that Bob had become famous.

Years later I learned to make and repair fiddles in order to repair my dad’s, which had been severely damaged. When I made my first fiddle I visited Abe Salazar in Las Vegas, New Mexico to show him my fiddle. It was then that he filled me in on the details of Bob Wills’ attempt to buy my dad’s fiddle. He told me that after my dad refused to sell his fiddle, Bob said that if he wouldn’t sell him the whole fiddle, would he sell him only the neck. That he would pay for a new neck to replace my dad’s. My dad refused.

A sign by Rudy Gonzales

There are no fiddlers left in Harding County [Roy is in Hardin County] and only a few in Tucumcari. Violin music was very popular in the forties and fifties. Unfortunately, most of the younger generation prefers to play guitars. I love guitar music also, but would love to hear more fiddle music

 

Hubs of Hope

NOTE: Brian DeVore has a degree in agricultural journalism and wildlife biology from Iowa State University. He grew up on a crop and livestock farm in Cass County in southwestern Iowa and, while serving in the Peace Corps, managed a dairy cooperative in Lesotho. He was a contributor to the 2002 book, The Farm as Natural Habitat: Reconnecting Food Systems with Ecosystems, and for the past 25 years has worked as an editor at the Land Stewardship Project in Minnesota.

The following excerpt from Brian’s recent recent book, Wildly Successful Farming: Sustainability and the New Agricultural Land Ethic, is taken from chapter 10 “Hubs of Hope.”

The danger of telling the stories of innovative farmers such as those highlighted in this book is that they can be seen as too much of an anomaly to be replicated. When Gabe Brown says, “There are people all over doing this. They just don’t have the mouth I have,” what he’s trying to convey is that his only outstanding attribute is his willingness to go public with his hits and misses. Indeed, for every Gabe Brown who’s on the speaking circuit, hosting international visitors or starring in online videos, there are dozens of ecological agrarians who are more quietly blending the wild and the tame.

But there’s not enough of those kinds of farmers. The bulk of U.S. agriculture is as far removed from natural processes as a factory making circuit boards. And we’re paying the price in terms of dirtier water, sickened soil, out-of-control greenhouse gas emissions, decimated wildlife populations, and shuttered Main Streets. I will admit to a bias here: I believe there need to be more farmers on the land, not fewer. After spending so much time on agricultural operations of all kinds, I’m more convinced of that belief than ever. Wildly successful farming requires more eyes (and ears) observing, reacting, adjusting—and that monitoring needs to take place over a lengthy period of time. The short-term decision-making that characterizes industrial agriculture just doesn’t leave much room for natural processes. What works one year may not work again for several years down the road—if ever.

One huge advantage wildly successful farmers have over their more conventional brethren is a willingness to share information. That may sound strange, given rural America’s reputation for working as a collective; for example, consider the farmers’ co-op movement that revolutionized the grain trade. As I’ve written about in chapter 6, it was the willingness of innovators and early adopters to share their experiences with their neighbors that led to the rapid spread of hybrid seed corn.

But in the early 1990s, when I was working for a mainstream farm magazine that had as its readership some of the largest farmers in the country, I began running into a troubling trend. Some of these farmers were unwilling to be interviewed for stories about a particular innovative production or marketing technique they were using. “What’s in it for me?” was a version of the response I would get over the telephone. They expressed concern that sharing their “trade secrets” would put them at a competitive disadvantage with their neighbors—who they now saw as rivals—for land, market share, and profits. For someone who grew up in an era when farmers still got together to shell corn or bale hay communally, this was a real eye opener.

An increasing number of farmers were raising an increasingly undifferentiated product: corn and soybeans for the international grain trade, for example. When one was in a position to take advantage of a market opportunity that paid a little bit more—high-oil soybeans or extra-lean hogs, for example—the last thing they wanted was other farmers horning in on their financial success. And who could blame them? The agricultural economic crash of the 1980s put a large number of farmers off the land in a very short time. The path to profits became paved with raising more bushels on more acres (or more pounds of meat and milk per square foot of barn space). To survive, you had to be a hard-nosed business owner willing to expand constantly, often at your neighbor’s expense. The trouble is, that get-big-or-get-out attitude didn’t do those tough-talking farmers any good either. There was always someone bigger and more powerful to take market share. And that competitor wasn’t necessarily in the next township or county—the Cargills of the world don’t care if they buy their soybeans in Iowa or Brazil, as long as the commodity is as cheap as possible. Thus, farming has become what University of Missouri economist John Ikerd calls “a race to the bottom”—a race fueled by exploitation of land and people.

On the bright side, I’ve witnessed in the past decade or so somewhat of a return of the farmers-helping-farmers culture. Actually, I suspect it never completely left, but just got overshadowed by the economic storms raging over rural America. Every week I run across examples of farmers sharing information and ideas openly. Partly it’s because when someone is doing something truly innovative—utilizing cover crops to cut fertilizer use and suppress weeds or using mob grazing to double a pasture’s ability to produce livestock, for example—they’re excited about it. It’s human nature to share such breakthroughs and get feedback on how to make them even better. I’m seeing even “conventional” farmers more willing to share with their neighbors these days. That’s particularly true when it comes to the current revolution in building soil health. As the corn and soybean farmers in Indiana are learning, injecting just a bit of the “wild” into their otherwise domesticated row crop fields can produce tremendously positive results. That’s exciting, and fun to share.

The internet and social media have made the trading of this information simpler than ever, creating communities across thousands of miles. Log into any e-mail listserv where people share innovative ideas about farming closer to nature, and you’re likely to feel pretty positive about the future of agriculture.

It’s not just the thrill of discovery that motivates farmers to swap ideas. Many agrarians I’ve interviewed in recent years are also adherents to the philosophy of writer/farmer Wendell Berry, who would rather have a neighbor than have his neighbor’s land. Dan Jenniges sees a direct connection between more grass on the land and more beginning farmers in his community. Marge and Jack Warthesen host beginning farmer trainings and have mentored newbies. Having the most wildly successful farm in the county means little if the rest of the community is basically abandoned. As writer Michael Pollan puts it when describing the “remade” state of Iowa: “The only thing missing from the man-made landscape is . . . man.”

Perhaps the most positive trend I’ve witnessed in recent years is how beginners with little background in farming (or rural living) have been welcomed into agricultural communities by lifelong residents. Southwestern Wisconsin farmer Peter Allen expresses genuine surprise at how much he and his family are supported by their neighbors, even though he’s a refugee from the big city of Madison, Wisconsin, and that up until the time he stepped onto those hilly acres in the Kickapoo Valley, he had spent the majority of his adult life as an academic. “I think they’re just happy to see some young person out trying to farm, because none of their kids are doing it,” he told me. He’s right: the latest U.S. Census of Agriculture shows the age of the average farmer is fifty-eight years old, up from fifty-one in 1982. Of principal farm operators, only 6 percent are under thirty-five.

Allen’s warm reception isn’t unusual. I’ve spent a lot of time in rural communities and talked to older farmers who are extremely happy to see young, energetic people participating in a kind of reverse brain drain. Sure, they may have some weird ideas about “organics” and “sustainability,” but they also share with those older farmers a love of the land. Even better, no matter what kind of farming these greenhorns are undertaking, they require information on local soils, climate, and sources of inputs—details they can’t glean from a textbook or YouTube. It’s a basic instinct to be needed, and the generational knowledge these veteran farmers have is needed now, more than ever.